The Funny thing on a trip like this -
riding a rented motorcycle across an entire continent, where so much changes
and where there was so much potential for bother - nothing had gone wrong. Moreover, neither of
us could actually pick out a best or worst bit, even though you would have
thought, as the days went by, something would have stood out: something would be
better than everything else or have rubbed us up the wrong way.
The reality was, though, that the whole thing seemed just right, somehow.
But that was before we reached Arizona.
Nothing went awry, it was just that once we'd experienced
it, nowhere else seemed more right than Arizona. Sue and I had travelled through
six states by this time, passing from the East to the West, from agricultural
land to cattle country, from varied greenery to great plains and then desert.
Now we'd entered Arizona and the Mojave, the driest region in North America and
another chapter in our 2700 mile trip along Route 66; one that would
show us incredible scenery, real American motorcycle landscapes that looked
straight out of Easy Rider and Electra Glide in Blue and the biggest hole in
the ground you ever saw.
We passed the Tee
Pee Trading Post, sitting among a line of shops set in the sand and dirt that
lined the road, with a backdrop of ochre and red sandy cliff faces; shops
proudly announcing their 'American Indian' ownership and advertising authentic
Navajo gifts and Zuni jewellery. Our first stop, though, was a few miles
farther at Chee's, another native American place, the owner of which lived
on a nearby reservation. He told us of the liquor store on its edge, the
busiest in the State, apparently. Sadly, I had no reason to doubt him. Andy
explained later, in whispered tones, that there were issues with alcohol,
Native Americans, social security and the reservations. I think I preferred
tweakers; their predicament seemed easier to pour scorn on. A dust road
followed: several miles of white low fog created by sand
kicked up by a breeze and the occasional car. I entered it with a certain
amount of trepidation – I have ridden off road but never on a motorcycle so
unsuitable, two-up. But this wasn't really off road; it was just on a road that
was a bit off.
Then it was on to the first of a number
of Arizona's amazing geological features – the Painted Desert. Like an enormous
dessert - a desert dessert - the whole landscape comprised layers of colour. Purples and bluey creams lay around us like
acres of a half-eaten pudding. Riding the top of an enormous afters, we gazed
in awe at the stratum revealed by its ravines – as a Country and Western station
blared soulful guitar ballads and drawling vocals from the Harley's
stereo. It cost $10 for a motorcycle to
enter the park; worth every penny for the experience. An eroded, exposed
landscape of stacks and rocks, pillars and mounds, as far as the eye could see.
All those different shapes and shades and to a soundtrack of Dolly Parton
and Kenny Rogers. Nearly 30 miles later the Petrified Forest appeared and there
were more moments of wonder and amazement, and stops to photograph and
generally gaze. Arizona, it turned out, was all about gazing. And riding in the warm air under
a lovely blue sky.
We took it easy in Winslow, Arizona,
standing on a corner near a flatbed Ford... and had an ice cream. For all its
statues and street memorabilia, there were few people about. But that was what
we'd become used to on The Mother Road – lots to see but spread over such a
vast distance nothing was ever too crowded. The route took us on a big sweep
away from interstate 40, as we made our way towards Flagstaff and a hotel
for the night. This was open country, empty but for a few isolated properties
spread out on the scrub desert. A silhouette of mountains got gradually closer
as we approached the city. The landscape got greener and trees came with a
climb. I was now completely in love with the package that seemed to accompany the Harley – sun, warmth, scenery and an empty old road.
The next day could have been a
short one - Flagstaff to Williams - had we used the itinerary supplied by
EagleRider. It was clear, though, that a diversion from Route 66 had been
catered for and one I'm sure that most people would take - a run up to the
Grand Canyon. We filled up in the morning, meeting Andy at the gas station –
Andy was a Scottish, now Australian, fellow EagleRider renter and new friend. A
group of bikers rolled in, all wearing denim waistcoats and one sporting a hand
gun on his belt. A born optimist by the look of it, he had not one but two
ammo pouches. They made an obvious point of
ignoring us completely and with tanks and egos replenished, cruised
out in formation, a convoy of conformity. We headed north, to the Canyon.
The following day was a special one – we
met Angel Delgadillo, the founder of the Route 66 Association and 'The Father
of the Mother Road'. Pulling into the small town of Seligman and stopping
outside the barber shop that Angel had run since the 1950s, it became apparent
the place was quite a draw. A film crew were inside interviewing Angel; his
daughter was supervising the legal side of the 'brand' and serving in the
souvenir part of the shop. We went over the road to a cafe and then wandered
up the road a bit looking at some other Route 66 exhibits – old cars and the
like. Angel's daughter met us at our bikes when we returned and asked if I
would be willing to be shaved by Angel, for the film crew.
“You're the second”, the 90 year-old
Angel told me.
“Who was the first”? I asked.
“He's buried out back”, he replied,
giving an answer, it was obvious, that had been repeated many times over many years. Outside, once the
film crew had packed up and gone, Angel shook our hands and waved us a cheery
goodbye. "Ok, Hosey", he said and cycled off with his clarinet
to a rehearsal with his band; we climbed on the Harleys and pointed them
towards Oatman.
In many ways Seligman was a typical
Arizona town - just a row of small detached buildings on either
side of the road – but one that had reinvented itself with Route 66. Oatman, on
the other hand, has its own special history – gold. The climbing, twisting road that took us up
to the small mining town showed the Harley to be capable but slow on the
switchbacks and I wondered how much quicker a tourer would be. Quite a bit, I
imagine, but I did have a slight problem with the Electraglide in that I had to drop
my inner leg off the foot plate on tight turns, or my knee got in the way of
the bars. I've since bought a 2009 model, and with Tallboy bars and seat the
issue no longer exists. But all the same, with a touring motorcycle's lean forward/legs back position
and less top heavy feel, they're always going to be more suited to sharp bends. But touring isn't
all tight corners, even in Europe, and the Electraglide is a very comfortable
long distance motorcycle for both rider and passenger.
And in a place like Oatman, Arizona,
it would be impossible for a Harley Davidson of any description to look out of place. If
Dennis Hopper and Peter Fonda - or Clint Eastwood and Lee van Cleef, for that matter - had ridden through, I don't think anyone would
have batted an eyelid. We parked up and ambled along the dusty main street between
souvenir shops and bars housed in the town's old timber buildings with raised planks out front, dodging the donkeys (wild burros) that walked freely about
the town. The history of a gold rush over a century ago and the story of how
Oatman got its name – after Olive Oatman, a girl from Illinois taken captive by
a native American tribe while travelling west with her pioneering family – was there to be found, if we had
the time to look for it. We didn’t and after an hour or so left and made our
way into Nevada.